12-String Effect · Bright · Percussive
Creates a 12-string effect on any 6-string. Open chords become compressed while each note stays clear. Percussive, cuts through reverb, brightens bass. The entry point to the harmonic family.
Harm 85Bright 82Attack 68Compress 72Control 65
Standard size · 0.6mm base
Maximum Harmonic Impact · Most Aggressive
Aggressive version of the Attak — same brightening but with more impact and stronger percussive sound. Powerful 12-string effect. Extremely compressed note picking. Slap-and-pop on bass.
Harm 90Bright 88Attack 85Compress 88Control 62
Standard size · 0.6mm base
Devin Townsend Signature · Multiple Surfaces
Devin Townsend's signature — replicates serrated pick sound without wear-in. Multiple surfaces = multiple sounds in one pick. Richest harmonic complexity in the lineup. Two years in development.
Harm 98Bright 85Attack 55Compress 65Control 68
Standard size · 0.98mm
Attak vs Ambush
Same body, different ridge pattern. Ambush is more aggressive — higher harmonic impact (90 vs 85), more compression (88 vs 72), stronger attack (85 vs 68). Attak is more subtle and approachable. Ambush is for players who want maximum effect.
Attak vs Earthtone
Earthtone has the highest harmonic score in the entire lineup (98). Multiple surfaces give you multiple tones from one pick. Attak is simpler, cheaper, more focused. Earthtone is the Devin Townsend signature — studio-quality tone richness.
Ambush vs Earthtone
Ambush is more aggressive and compressed — better for blues, percussive playing. Earthtone is richer and more nuanced — better for prog, acoustic, studio work. Ambush attacks. Earthtone envelops.