Square formations along the edges of Ambush’s aggressive taper produce a full-bodied, bright, percussive sound. 

For bassists, expect the snap, crackle, and pop once reserved for players of the slapping technique.

For guitarists, expect greater resonance at the point impact, as the square formations extract a wall of sound from your instrument.

Attak is identical to Ambush, its predecessor, except in the shape and quantity of its formations. These are pyramidal, are more sharply angled, and there are more of them. 

Players sacrifice some of Ambush’s percussive sound, but gain clarity and definition in mid-range frequencies.

Sounds best on acoustic guitar, where harmonic enhancements are reminiscent of a coveted 12 string sound.

Though patented with thumping, powerful bass in mind, the Juggernaut’s ‘step-down’ design makes this a multi-purpose pick.

Play gently, with a focus on the tip, for a warmer sound, but dig in and you’ll hear darker, thicker tones emerge.

However you decide to use it, Juggernaut’s concave grip will keep you fluid.

The Surge, with its broad shoulders and dotted elevations spread across the entire face of the pick, is for turning up and playing loud, without compromising the presence of each note. 

This one’s for the chuggers, the overdrivers, and the heavy metalist in all of us.

Produces an awesome growl on bass!

Looking for compression, bite, and a bit of ‘pluck’? Blade’s semi-flex construction and horizontal line formations allow players to cut through the muddiness of excess resonance.

Great for the blues on electric guitar; great for that 'twangy' sound on acoustic guitar.

And if you don’t like the flex, try Blade II.

Similar to Blade I but slightly stiffer and thicker for even more definition and a faster attack. 

Generates more top end with upper mids pushed forward. Produces a richer, darker sound on acoustic when strumming.